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Winners of The Filmfare OTT Awards 2025: Full List Out_我的网站

A |     Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride.     In This Article      BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES     BLACK WARRANT     BEST DIRECTOR, SERIES     VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT)     BEST SERIES (CRITICS')     PAATAL LOK SEASON 2     BEST DIRECTOR: SERIES (CRITICS')     ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK)     NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)     BEST ACTOR, SERIES (MALE): DRAMA     JAIDEEP AHLAWAT (PAATAL LOK SEASON 2)     BEST ACTOR (MALE), SERIES, CRITICS': DRAMA     ZAHAN KAPOOR (BLACK WARRANT)     BEST ACTOR, SERIES (FEMALE): DRAMA     MONIKA PANWAR (KHAUF)     BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA     RASIKA DUGAL (SHEKHAR HOME)     BEST COMEDY (SERIES/SPECIALS)     RAAT JAWAAN HAI (SUMEET VYAS)     BEST ACTOR, SERIES (MALE): COMEDY     BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA)     BEST ACTOR, SERIES (FEMALE): COMEDY     ANANYA PANDAY (CALL ME BAE)     BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA     RAHUL BHAT (BLACK WARRANT)     BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA     TILLOTAMA SHOME (PAATAL LOK- SEASON 2)     BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY     VINAY PATHAK (GRAM CHIKITSALAY)     BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY     RENUKA SHAHANE (DUPAHIYA)     BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)     ANGRY YOUNG MEN (NAMRATA RAO)     BEST FILM, WEB ORIGINAL     GIRLS WILL BE GIRLS     BEST DIRECTOR, WEB ORIGINAL FILM     SHUCHI TALATI (GIRLS WILL BE GIRLS)     BEST WEB ORIGINAL FILM: CRITICS'     BOMAN IRANI (THE MEHTA BOYS)     BEST ACTOR, WEB ORIGINAL FILM (MALE)     ABHISHEK BANERJEE (STOLEN)     BEST ACTOR, WEB ORIGINAL FILM (FEMALE)     SANYA MALHOTRA (MRS)     BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM     VIKRANT MASSEY (SECTOR 36)     BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM     PREETI PANIGRAHI (GIRLS WILL BE GIRLS)     BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)     DEEPAK DOBRIYAL (SECTOR 36)     BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)     KANI KUSRUTI (GIRLS WILL BE GIRLS)     BEST STORY, SERIES     SMITA SINGH (KHAUF)     SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)     BEST ORIGINAL SCREENPLAY, SERIES     SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)     BEST ADAPTED SCREENPLAY, SERIES     SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT)     BEST DIALOGUE, SERIES     ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK)     BEST CINEMATOGRAPHER, SERIES     PANKAJ KUMAR (KHAUF)     BEST PRODUCTION DESIGN, SERIES     PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT)     BEST EDITING, SERIES     TANYA CHHABRIA (KHAUF)     BEST COSTUME DESIGN, SERIES     AYESHA DASGUPTA (FREEDOM AT MIDNIGHT)     BEST BACKGROUND MUSIC, SERIES     ALOKANANDA DASGUPTA (KHAUF)     BEST VFX, SERIES     PHANTOM FX (KHAUF)     BEST SOUND DESIGN, SERIES     BIGYNA DAHAL (KHAUF)     BEST MUSIC ALBUM, SERIES     AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2)     BEST STORY (WEB ORIGINAL FILM)     KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN)     BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)     AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL)     BEST DIALOGUE (WEB ORIGINAL FILM)     VIJAY MAURYA (AGNI)     BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)     ISSHAAN GHOSH (STOLEN)     BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)     ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI)     BEST EDITING (WEB ORIGINAL FILM)     JAHAAN NOBLE (CTRL)     BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)     SNEHA KHANWALKAR (CTRL)     BEST SOUND DESIGN (WEB ORIGINAL FILM)     SUSMIT BOB NATH (STOLEN)     BEST MUSIC ALBUM (WEB ORIGINAL FILM)     JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI)     BEST DEBUT DIRECTOR, SERIES     PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS)     BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES     ANURAG THAKUR (BLACK WARRANT )     BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES     LISA MISHRA (CALL ME BAE)     BEST DEBUT DIRECTOR, WEB ORIGINAL FILM     KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36)     BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM     SHUBHAM VARDHAN (STOLEN)     BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM     ARRCHITA AGARWAL (DESPATCH)     BEST SHORT FILM (PEOPLE'S CHOICE)     DIVORCE DIRECTOR: RAAGHAV KANSAL     BEST ACTOR (FEMALE), SHORT FILM     FATIMA SANA SHAIKH FILM: AYESHA     BEST ACTOR (MALE), SHORT FILM     AYAN KHAN FILM: CHASHMA     BEST SHORT FILM (FICTION)     AYESHA DIRECTOR: NIHIT BHAVE     BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)     LANGUR DIRECTOR: HAIDER KHAN     BEST DIRECTOR, SHORT FILM     RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。

B |     　　人造卫星通常在通信、导航、遥感、科学探测等领域发挥作用，如今，中国科学家正尝试让卫星多一颗“大脑”——把算力也送上太空。那么，为何一定要把算力“打”上天？　　太空计算星座就像把“电脑”打上天　　2025年5月，我国将全球首个太空计算卫星星座“星算”送入太空。该星座首发12颗卫星，每颗卫星均搭载了星载智算系统、星间通信系统，具备太空计算、太空互联能力。　　那么，什么是“计算卫星”？对此，中国科学院微小卫星创新研究院研究员郑文在中国科学院《科学公开课》中介绍，这就像是把人们常用的笔记本电脑“打”到天上去了，使得原来要在地上处理的数据，可以在天上得到及时处理。

C | 　　未来，郑文透露，可能通过星簇或星群组网形成统一的算力供给，最终希望在太空直接建造一个超大型算力中心：“我们可能会在太空中间建一个边长4000米×4000米的一个航天器，来提供无限算力。真正在太空中间建立起一个计算的基础设施，给每一个人提供算力服务。

D | ”　　为何一定要把算力“打”上天？　　把算力中心搬上太空有着一定的现实优势，例如，能源——太阳一直在，太阳能源持续可得。此外，空间中背日面温度比较低，在散热、热管理方面有一定优势。　　但是，郑文也指出，这样的优势背后并存的是极端环境的严峻挑战：“这也是至今未能大规模实现太空计算的核心原因。

E | 第一个难题是散热，第二个难题是高能粒子辐射。”　　太空中没有空气，散热只能靠辐射散热，因此，太空算力中心就需要巨大的辐射散热面积。　　此外，计算机底层依赖电子“0”和“1”的开关状态，而高能粒子一旦穿透芯片，会把电子打翻。郑文解释称：“原本是‘0’的地方可能就变成‘1’了，原来的‘开’就变成了‘关’，这样一来，输出的信息就会变成乱码”。因此，这两大极端条件正是建设太空计算设施的瓶颈。　　把算力送上太空并非最终目标　　中国科学院微小卫星创新研究院研究员郑文表示，将算力送上天是实现自主智能的关键一步。例如，让中国空间站的机械臂拥有能够计算的“大脑”，从而实现代替航天员执行舱外操作的目标。　　除了自主操作外，科学家们还希望卫星能够更智能地去完成一些任务。郑文透露，中国科学院微小卫星创新研究院正在设计一款未来航天器——“哪吒(NEZHA)”。从它的名字中可以大致推断出它的形态，郑文介绍，它有“三头六臂”，能变形，还能在太空中自主飞行：“它多了两个手臂，可以自主执行维修任务，例如，有一些卫星坏了或者没有能源了，就可以把这些小‘哪吒’派出去，进行维修、修复。”　　郑文表示，只有把人工智能、算力与卫星深度结合，一同送上太空，未来才能真正建造属于人类的太空基地。　　(中央广播电视总台中国之声)。

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